Brewtown #22: The Red Monroes

Marilyn never posed like this from left to right: Fitton, Alexander, Dolman and Woods

Marilyn never posed like this from left to right: Fitton, Woods, Dolman and Holmes (Alexander unpictured, sorry!)

As we continue on through our jaunt through the acts of Brewtown, we today look at a band that had another identity through the noughties, but have reformed in a more modest sense. Boop-boop-be-do, it’s The Red Monroes!

Philip Fitton (Lead vocals, Guitar), Sean Alexander (Lead Guitar, B Vox), Rob Dolman (Drums, B Vox), Damien Woods (Keys, Synth, B Vox) and David Holmes (Bass, B Vox) make up this five piece that go back longer than the small time they’ve been around as the Ruby Marilyns!

Although starting the RMs just last year, Fitton has led with another band called The Risks who made a big impact themselves in the scene since they formed nearly a decade ago. Let’s take a look at that history up till now shall we?

Just watch out for Fitton along the way. He get's very hungry!

Just watch out for Fitton along the way. He get’s very hungry!

Just to clarify, this is still an article on The Red Monroes, so I’ll keep The Risks’ stuff as brief as I can, but to start, Fitton formed The Risks back in 2005 with Alexander, Holmes and a drummer by the name of Kev until eventually getting replaced by Dolman. Kev everybody!

Originally, they were a covers band under the pretense of securing gigs but after a couple of bookings, they started writing their own material and as Dolman came in, they were performed a Fantastik 4 hybrid set of covers and originals.

Their style of music was hard indie and punk from the main musicians and with an Elvis Costello-esque vocal performance tinged with some Bryan Ferry-like vibrato from Fitton.

Vibrating so hard he may as well have DualShock printed on his body! 2:07 onwards in particular!

Highlights for The Risks included a TV appearance on Sky Sports (Kitten Pyramid level fame here!), support slots for Little Man Tate, The Futureheads and The Rascals and a gig at the 2007 Glastonbudget. Also, they performed at Liverpool’s world famous venue The Cavern Club which Fitton and Dolman were hugely proud of being big Beatles fans.

Over a successful couple of years and some well-received gigs in Nottingham and Manchester’s O2 Academy, things fizzled out for The Risks and so they decided to call it quits in 2009.

However, in 2012, Fitton, Dolman and Holmes thought it would be nice to start performing again, but a new identity was needed. And this is where the story of The Red Monroes begins!

Finally, I've been waiting ages for you to get going with that!

Finally, I’ve been waiting ages for you to get going with that!

Though they would begin writing and rehearsals around about November 2012 and through the Winter/Spring of 2013, they wouldn’t get their first official gig until June where they started out in big style, at the Victoria Inn in Derby, a regular place for The Risks to perform.

Woods was added to the line-up on synth to further develop the sound of TRM as well as some new show slots, including a return to the Wetmore Whistle (Risks popular venue again) and performing at mini festival Hilton Party in the Park in July.

Ashby’s BUNKA venue was also on the cards for July, a venue where hip hop legend Grandmaster Flash played with Jacob ‘Jaws’ Wilshaw of Raptorial!

Why am I showing this pic? Because it's awesome and I can! MWAHAHA!!

Why am I showing this pic? Because it’s awesome and I can! MWAHAHA!!

But on topic of the article, the Autumn saw more promotion of their debut EP and two more gigs at The Vic with the first being a headlining gig on top of solo local talent in October and the second supporting The Vibe and Get Cubs in November.

Before finishing their EP, they added one last lead guitar layer provided by Alexander who made the band a quintet in December. After a private demo amongst friends and family was given a thumbs up, they looked to release the EP in Spring 2014.

Sure enough, they did release their debut self titled EP on April 4th for release on iTunes, Google Play and physical release for gigs. To further promote the EP, they decided to reach further afield than Burton. Say…Canada…yeah that’ll do!

Yep, sure I’m not stereotyping here eh?

They were actually promoted twice on Canadian radio stations! One of them being 103.7FM CFBU Brock University Student Radio in Ontario (rolls right off the tongue eh?) in April and CISM 89.3 French Canadian radio in May!

With further gigs in the pipeline including one supporting Star From Ivy at the Whistle in mid-May, TRM will know doubt be looking to gain back that old attention-grabbing fire back from their days as The Risks. I’d say they’re on their way.

Still, regardless of this journey, what about the material? Well I’m glad you asked that. The evolution of the sound from Risks to Reds has been an interesting one and in some ways for the better so…

Come on then! Bored first person drummer is bored!

Come on then! Bored first person drummer is bored!

Their music from their Risks days did seem more raw in the sense it was more rooted in punk than anything else. Songs like Change Your Ways from their rough demos did sound like a heavier Elvis Costello number!

But with the Monroes, there’s power there, but it seems more heartfelt and romantic as well as the production being more slick and polished. Not to it’s detriment, it’s just an observation.

Songs like Don’t Waste Your Shadow and Take My Hand seem much more romantic, optimistic and catchy pop rock numbers than the punk sounds of previous times but…they are romantic, optimistic and catchy so there’s a big upside to the style change.

The first of two recommended tracks is Information was put up as a free download on their Soundcloud as a preview for their EP and it was a pretty good call.

It displays the upbeat Indie melodies that came with their style change including harmonic guitar riffs and the synth/piano featured on the whole EP that adds to the happy nature.

The lyrics are also a consistency with their new sound, with romantic themes such as a new woman coming into your life that was miserable before and the ‘Information’ being the facts needed to be heard by the singer to get him out of the slump he’s in. You can listen to it above.

The second of these tracks, Light of the Corner, is even more happy and joyous than the previous song! It’s quite the feat, but it will leave you with a bigger smile on your face!

The jangly guitars, the melodic piano, brisk drum beat and vivacious vibrato vocals (say that 5 times fast!) make it an essential gateway into the sound of TRM.

You say the words that make it all seem right

Can’t understand why I blame it on myself….

Where the light is a corner we found!

Fitton sings about that special place in private where you can just make out with your partner and not have to care about anyone around you looking. No smooth jazz needed, just happy Indie sing-alongs! If you care to check it out for yourself, by all means do so!

In conclusion, The Red Monroes/Fitton and co have definitely shifted in tone from what they were nearly ten years ago, but I’d say it’s a refreshing change. A much more upbeat approach to counter the anger in certain musical facets is always refreshing, at least to me. Either way, this has been Brewtown Music serving you a hearty brew of Midlands tunes!

The Reds’ stuff

Facebook: https://www.facebook.com/theredmonroes

Soundcloud: https://soundcloud.com/the-red-monroes

Youtube: https://www.youtube.com/channel/UC3k7D2tS4pWB2xzWB3r_BbQ

Twitter: https://twitter.com/TheRedMonroes

The Risks’ Unsigned page: http://www.unsigned.com/therisks

The Risks’ Myspace: https://myspace.com/therisksderby

The Red Monroes 2

Brewtown #21: Wet Lettuce and the Magik Bean

Colourful characters from left to right: Wyatt, Hutchings, Jordan, Houlbrooke and Waddell

Colourful characters from left to right: Wyatt, Hutchings, Jordan, Houlbrooke and Waddell

Hey, we’re back with Brewtown once again and to start off this next order of local music, we’re going to look at a hard rock/metal act with a slightly psychedelic/naughty name. If you know what I mean, it’s Wet Lettuce and the Magik Bean!

Kyle Jordan (Vocals), Gaz Waddell (Drums), Lewis Hutchings (Bass), Dan Houlbrooke (First guitar) and Sam Wyatt (Second guitar) are the five ingredients for this strange-sounding recipe that provides a lot of suggestion and hard rock…and more suggestion!

These lads, like other young acts such as Mario’s Nicotine Parlour and The Arcadians have only been around for less than two years but have been working their way into local favour and into our heads with their bizarre and did I mention suggestion?!

Yes you did! Now get on with the article!!

Yes you did! Now get on with the article!!

Four young men (no vocalist yet and bassist then was Robin Nichols) were part of a music course at Burton college who decided to test out some of their instrumental tracks that they had written together and formed the band on May 22nd 2012. Instrumental because they didn’t have a vocalist yet.

Their first gig was, oddly enough, something to do with college with a music evening at the Brewhouse Performing Arts Centre called Pick ‘N’ Mix organised by the college that also featured Lucida Scroll and Great Scott.

However, they didn’t make their official live debut until October where they opened the Deafbox Promotions launch night at the Star and Garter pub on a card which also featured The Distancing and 5 Days of November.

Dah! I thought I erased that image from my brain!

Dah! Dammit Millsy, I thought I erased that image from my brain!

In the midst of this debut, they were busy uploading demo tracks to Soundcloud and searching for a permanent singer. The latter wouldn’t come just yet, but it did come later in the next year.

The first two gigs of 2013 for the Wets were both in the same month, April to be exact with the 13th giving them a support slot once again alongside Lucida Scroll and put on by DeafBox and on the 20th at Branston’s Gate Inn with CURV and Double Helix put on by Septic Sounds. Unfortunately, the latter gig was cancelled due to Nichols breaking his wrist. Damn!

Their first festival date came in July the day after another gig at the Star and Garter. This was at the Grass Roots Festival at Appleby Magna in Leicestershire which would also feature acts as diverse as Them Deviants, Theia and The Vibe.

The ideal landscape for electric funk and vagina innuendos.

The ideal landscape for hard funk and vagina innuendos.

The next couple on months would be a very brief public hiatus for the Bean to prepare for the announcement of their next few gigs and the arrival of their fifth member, which would be that ever so mysterious lead singer I was on about earlier. To hype up the singer’s debut, they announced they had laid down some vocal lines for their EP on Facebook.

At the end of October, they supported Theia this time for an acoustic set at the Dog Inn and with it, introduced Jordan to the mix as permanent vocalist! As November rolled round, they got themselves a support slot with Star From Ivy of all bands at the Wetmore Whistle which was also the first time they performed at the famous Burton venue.

In mid November, they would hype up a big gig in Crewe supporting Birmingham-based Indie act Dumb at The Box, so much so selling physical tickets for the event! They would also play at The Shed in Leicester which would become a favourite venue for them outside of Burton.

Though it’s not from The Shed, here’s a performance clip of theirs of a track called Dissonance. Appropriate given the video quality!

Come 2014 (we’re already in the current year? Jayzus!!), they were ready to unveil their material in recorded form for the launch of their debut EP Bad Llama. It took place at The Shed, appropriate given the great reception they had the last time they performed their, with support from Swad band Genziani’s Jukebox.

With performances at the Musician in Leicester and further performances at the Whistle alongside The Arcadians, they gained a bit more online attention when reviewer Theguywithastick posted a positive write-up about their EP and the band in general.

They have recently done another gig at The Shed alongside French rock act Eyes of Verona hosted by Dreaming in Colour Productions and encouraged fans to vote for them to be a part of Slam Dunk Festival hosted by Kerrang. Best of luck to them for then, but for now, that’s about it. The history of Wet Lettuce and the Magik Bean everyone!

Huzzah! Here's an anthropomorphic bikini-clad llama for your troubles!

Huzzah! Here’s an anthropomorphic bikini-clad llama for your troubles!

Despite the short history, there’s still the music to listen out for. So, how does THAT fare? Originally, I didn’t think much of these guys, what with them having formed through a college music project and all, but with time I’ve come to appreciate their performances seeing what they can do with more than just one music genre.

Wet Lettuce are an act with an eclectic inspiration ranging from the likes of Red Hot Chili Peppers, Jane’s Addiction and Biffy Clyro and show that they aren’t willing to be seen as just one style, though still classed as alternative.

The music itself can show no-nonsense aggression (Bad Llama title track), psychedelic clashes of harmonies (Dissonance, oddly enough!) or laid back funk (Translation) which vocalist Jordan adapts to pretty well, either by a smooth croon or a Max Raptor-like scream!

A prime example of this and recommended number is Take Wing. Starting off with brisk drum beats and dirty guitar riffs that are reminiscent of the beginning of The Strokes‘ track The Modern Age, the track leaps from your headphones and looks to give you a sense of what the band has to offer in terms of musical merit.

It shows that they have a knack for a hook if they push for it, since they had to make do without a vocalist originally and be an instrumental act to start off with the main riff mentioned earlier giving the song an almost menacing and sneaky texture.

Lyrically, the song seems to suggest a free and easy lifestyle, whether that involve going out and looking for a wild night out or just doing whatever the guy wants to, with the title alluding to flying away from it all.

Maybe I will, maybe I won’t…

I guess I can tell, I’m under your spell

Cos it’s a situation I’m not willing to sell

Whether it be about sex (the band name, come on!) or having a hedonistic time with your mates, it gives off the ‘don’t give a damn’ vibe that we’ve come to expect with rock n roll music, which they pull off quite well.

It is just a taste of their discography, seeing how they have only been around since 2012 and a lot of that time was moving on from just being a college project to being a legitimate band. But it’s a sweet taste for now!

Below is the studio EP version if you found the live version above a bit rough, so I suggest checking it out for yourself as I always suggest seeing how I could always be talking a load of bull!

To finish, Wet Lettuce and the Magik Bean could prove to be dark horses in the Burton music scene. Though starting off from the classroom, their new material has proved they can perform alongside the bigger acts and carve out their own unique identity. Watch out for them, Leicester certainly has anyway!

But from Burton, this is Brewtown Music serving you another fine brew of Midlands tunes!

The Bean’s stuff

Facebook: https://www.facebook.com/WetLettuceandTheMagicBean

Soundcloud: https://soundcloud.com/wet-lettuce-magik-bean

Reverbnation: http://www.reverbnation.com/wetlettuceandthemagikbean

Youtube: https://www.youtube.com/channel/UClldCchMUgT4XCrZBQwOncw

Twitter: https://twitter.com/Magik_Bean

Wet Lettuce

Brewtown #18: Green Fortune

Emerald Luck from left to right: Sutton, Faint, Mark Knight, Kay Knight

Emerald Luck from left to right: Sutton, Faint, Mark Knight, Kay Knight

Folk has already been represented on this site’s What Else Is Out There? section with The Offbeat, but today, it’s time to give props to a bit of Brewtown folk with a lot of members both past and present! As luck would have it, it’s Green Fortune.

Mark Knight (mandola, lead vocals), Kay Knight (percussion, backing vocals), Rhys Jones (Harmonica), Carl Sutton (Guitar), Andy Faint (percussion), Stiv Hogg (bass) and Rhys Knight (occasional percussion or bass) make up this Midlands folk collective who have been described as a band that John Peel would have loved!

Though they have not been featured on Radio 1 by John Peel (they formed after he died but still), they still have gained a modest Midlands following and have added some much needed folk variety to the Brewtown scene…besides the Wurzels!

Oh they're not from round 'ere, but they left their mark...on my poor eyes!

Oh they’re not from round ‘ere, but they left their mark…on my poor eyes!

The leader Mark Knight, like Scott Milligan of Kitten Pyramid, always had been into music since childhood and had grown up listening to Johnny Cash, The Rolling Stones and David Bowie who were modern day legends back then. How times change and the nostalgia whores weep!

His first experiences with bands grew mostly out of his love for punk music in the 70s and 80s such as with beyond obscure bands like Filth and Mad Dogs (who I WON’T be doing pieces on, research would take forever!) and also joined The Gift with fellow veteran Midlands musician Bruno Gallone in 1985. After a few outings in the 90s with bands like Rezist and Digweed, Mark bought a slightly contrasting instrument to his punk years in 2005; his trusty mandola which he plays in GF to this day.

Though it's not THAT uncommon for the mandola and punk to go together.

Though it’s not THAT uncommon for the mandola and punk to go together.

It wasn’t until 2007 that the idea of Green Fortune came to the heads of both Knight and childhood friend Jude Hackett during a drunk curry night out because hey, they weren’t getting older and they had nothing to lose but their dignity, which let’s be honest, is entirely overrated. Isn’t that right Kanye?

The yellowish-blueish gamblers were officially formed in the summer of 2008 with the original line-up of Mr and Mrs Knight, Hackett (bass), Sarah Devine (vocals) and Scud Stevens (percussion).

Hackett and Mr Knight started writing music before adding these new members to the line-up which would be changing quite a bit over the next five years. Not to Iron Butterfly levels but they’ve had a fair few members.

Plus their songs aren’t 17 minutes long either so this is the mootest of moot points!

After beginning to rehearse both at home and in Moira along with the first couple of live shows (one with a bar patron expecting Metallica and getting Fleetwood Mac from them, supposedly!), GF showed that folk had a place amongst it’s heavier rock contemporaries in the Midlands music scene.

In 2009, they requested the help of Burton College to set up some sessions for their first set of tunes such as The Rose, Running in Circles and Permanence in Change to be recorded and stored on Myspace (ah those were the days…) and Reverbnation for all to see.

Although they were an originals band first and foremost, which is good since I mainly cover those here (COVER ORIGINAL bands? Aren’t I confusing?), they did do a folkified cover of the Buzzcocks most famous hit Ever Fallen In Love which later had a video directed by Derby-based film-maker Adam Stevenson.

Despite Hackett leaving in 2009, the line-up soon became larger the next year when stand-up bass player Louise Hughes replaced Hackett, violinist Joy Gravestock and harmonica player Rhys Jones joined the fray also with Jones playing on the same bill as GF one night. Faint also replaced Stevens later on in the year.

Music-wise in 2010, GF released their first single which was My Daemon Lover/Gypsy’s Curse, the former of which also had a music video directed by Adam Stevenson. A big highlight for them was to play at the Midlands’ largest creative arts festival Bearded Theory supporting The Wonder Stuff and Doctor and the Medics.

With 2011 came new members such as guitarist Carl Sutton and percussionist Andy Faint with the departure of Devine and Stevens and news delivered to them in April that the video for My Daemon Lover would be played on the BBC Big Screens in both Leicester and Derby!

High vis' an all!

High vis’ an all!

In May, they had their first radio interview with Ashby-based community station Hermitage FM and they took part in the Ashby Arts Festival to coincide with the interview.

To round off the year, the band released their second dual single Ever Fallen in Love/ On Icarus Wings on iTunes like they had done with their previous single and would do with their third dual single in 2012 Empty Skies/ Where Do I Begin?

Also in 2012, they joined the likes of Scott Milligan and Star From Ivy to start the Arch Creations Revolution to help build more interest in the Brewtown scene in the run-up to Burtfest.

When you think revolution, you think googly-eyed broccoli. Guevara be damned!

When you think revolution, you think googly-eyed broccoli. Guevara be damned!

Though they were not on the card for Burtfest, they were on the card for the first Gladefest taking place at Rosliston Forestry Centre at the end of August alongside the Roz Bruce Infusion and The Offbeat.

It was also the last gig for Hughes who was replaced by Mark’s son Rhys Knight who you may know from Mario’s Nicotine Parlour and debuted with the band at the Moira Folk Furnace Festival.

In November, they had a big support spot for a gig headlined by Derby folk musician and BBC Horizon award winner Lucy Ward at the Snibston Discovery Museum. She has a Wikipedia article with a decent amount of information so that’s nice.

Not Icarus’ Wings but it’s close!

As 2013 rolled round, the position of bassist was batted around from person to person including Rhys Knight, Leicester-based bassist Mark Kinton, formerly of Three Legged Dog, Burton music promoter and former Star and Garter pub owner Paul ‘Lavy’ Latham and former Deadtime Philarmonic bassist Stiv Hogg.

Rhys Knight also would deputise on percussion when Faint was unavailable such as at 2013’s Moira Furnace Festival and Gladefest II which had support from Tilted Smile and The March, a band they would later support at the Wetmore Whistle in September.

But in October was when they had a true triumph! How so? After a number of months of leaping into the Top 10 of the Midlands Folk charts on Reverbnation, they finally achieved No1 status, even beating out Lucy Ward! So who supports who now then, hmmm?

It's like being top of the Conference North division, but still, it's a victory!

It’s like being top of the Conference North division, but still, it’s a victory!

And coming into 2014, they continue to gig and record their music in and around the Midlands with Jones on temporary leave and Rhys Knight as temporary bassist. Temporary tempura tempest! (Let’s just go to the music part of the article now please!)

So music-wise, how do the Overseal gypsy band fare? Well this is the other side of the folk spectrum compared to The Offbeat. Whereas that band is innocent and bouncy, Green Fortune is more raunchy and gritty with the punk influences and mature subject matter.

Each band member provides and past members have provided a layer of great importance. Not even the bells provided by Kay Knight feel insignificant alongside the bass of Hughes or the mandola of Mark Knight. Their music is both enjoyable and enchanting to listen to.

Their songs can range from being about gothic romance (My Daemon Lover) to a rousing sing-along (The Seventh Magpie) all done in the style of a traditional folk band with a punk edge to them along with very interesting arrangements of old punk classics such as the before mentioned Ever Fallen In Love and the Stranglers’ hit Golden Brown.

THE GYPSY’S CURSE

Two tracks that I will recommend here are The Gypsy’s Curse and Empty Skies. To start, The Gypsy’s Curse shows off the band’s energy and flair whilst telling the story of a man who fell in love with someone he shouldn’t have fallen in love with (I’m honestly not talking about their Buzzcocks cover, shut up!)

The vocals go back and forth between Devine and Mark Knight with both providing their own vocal strengths with Knight’s being more rough and worried and Devine’s being more calm and conniving.

Music-wise, it’s quite upbeat whilst keeping the sinister minor key, keeping with the theme of the song which the lyrics reinforce whenever the chorus comes along:

Since I met that gypsy woman

There’s a black dog crossing my path, a raven at my shoulder

Touched that wild rover and brought down the gypsy’s curse

The second song Empty Skies however, is much calmer and beautiful sounding with the violin, harmonica and mandola featuring prominently throughout. Knight’s vocals are softer this time around and have a more emotional weight here and are the main vocals in the song.

It’s a song that tries to seek out the clarity much needed in life’s journey that could only be seen through an un-clouded ’empty sky’. Not to be confused with the Elton John album or 2011 film though!

It’s a great demonstration of their soft-spoken side that goes well alongside their more upbeat and energetic songs that provide a good variety to their catalogue. As always, check for yourself if you don’t believe me!

Summarising, Green Fortune provide some good folk variety like Great Scott provide good hip hop variety to a predominantly electric rock scene. Their lyrics tell an interesting tale and their music provides an entertaining backdrop. Highly recommended for lovers of the Pogues and The Levellers.

As always, this has been Brewtown Music serving you another fine brew of Midlands tunes.

Green Fortune’s stuff

Official Website (currently down but could be back up again): http://www.greenfortune.co.uk

Facebook: https://www.facebook.com/pages/Green-Fortune/

Reverbnation: http://www.reverbnation.com/greenfortune

Youtube: https://www.youtube.com/user/GreenFortuneUK

Twitter: https://twitter.com/greenfolk

GF

Brewtown #14: Lucida Scroll

Scrolling left to right: Jackson, Hughes and Jordan

Scrolling left to right: Jackson, Hughes and Jordan

To begin this new part of the Brewtown posts called Throwback Thursday (bandwagon I know, sue me!) which I will be using to put forth acts who are either on an indeterminable hiatus time or entirely defunct but still great to listen to, I will look at a folk punk trio that always gave a rowdy, yet traditional performance whenever they were on stage. Have a read of the Lucida Scroll.

The folk threesome consisted of Stuart Jordan (vocals, acoustic guitar), Paul Jackson (bass) and Sam Hughes (drums). From the start though, there was Joe Evans (vocals, electric guitar) until Jackson replaced him in 2012. They became quite a unique addition to the Burton music scene sounding as if Mumford and Sons were a bit more scruffy and listened to a lot of punk.

Probably as punk as they'll ever get!

Probably as punk as they’ll ever get!

The band itself was formed in November 2010 after Jordan and a few mates had a jam after an afternoon of playing football and thought that this could potentially lead to something great. Ah, the beautiful game will do that to ya!

At this point leading into 2011, Lucida was made up of Jordan, Evans, Danny Scott, the second guitarist for the band and occasional third guitarist Kevin Bayliss. All they needed was a drummer for people who only needed a beat for their acoustic punk-folk collective. After booking studio time for a demo in January at Arch Studios, they found their drummer in long-time friend Hughes the next month, giving the band even more energy.

After a positive response to their gigs and releases on Myspace, they were able to go on tour less than half a year into their inception! Well it was a tour of Edinburgh, but still, international tour! Technically.

Shouldn't that be "thy bank holiday weekend?" Be consistent lads!

Shouldn’t that be “thy bank holiday weekend?” Be consistent lads!

Two more dates were added in May to perform in Pomona, Sheffield. One for just another gig and two for a Battle of the Bands which they didn’t win but were received well either way. In July, they participated in another Battle of the Bands competition, this time in Burton at the Wetmore Whistle where acts like Great Scott, The Myways and The Distancing were taking part in. Why battle? Can’t they all just get along?

By August/September, they had built up such a live/online profile that not only were their T shirts that they released the first month being sold as far as Budapest, but also for the release of their debut E.P. Monologues, they had two launch nights. One, naturally, in Burton and the other in Rotherham, near Sheffield where they had performed previously, obviously leaving a ripple effect oop north!

Both nights had great support from Alex Canner of The Dark Horses and comedy musician Bill Cort for the Burton night and Jim Marston and Manchester-based Indie rockers The Loaded Dice but of course the highlight was the Lucida boys, giving each crowd member a reason why they needed a copy of their new EP.

And because I need a relevant segue, here’s Marston and Jordan singing Fairytale of New York at the Whistle! Works like a charm!

With a new year brought a new line-up with Evans, Scott and Bayliss having other band commitments such as with Phoenix Salvation for Evans, a position for bassist was taken up by Jackson who would stay on as bassist for the rest of LS’s run. Jordan had his own music commitments with himself, meaning his solo act Son of Roger with a setup consisting of a guitar/banjo and a tambourine/bass drum/foot pedal combo! Typical folk soloist showing off!

One of the first major gigs of the year for them was supporting another band’s EP launch, Black Wolf Catch’s new EP Crackpot Summer Lounge (Don’t ask!) filmed and organised by Arch Creations. It all comes back to Arch!

CCTV the gig! I don’t trust an EP title like Crackpot Summer Lounge do you?

After winning a cash prize from a music competition and performing on a lorry container in the High Street as part of the Queen’s Diamond Jubilee, both in the Spring and in Tutbury, LS prepared themselves for an event I have mentioned before and will mention again because of how big and unfortunately money-consuming it was, Burtfest. Competing with bands like Max Raptor and Follow You Home, they were able to pull off a great set at the Arch Creations stage. Once again, back to Arch!

Along with their gig input, they also had a lot of recording output, recording, mixing and mastering whenever they were able to with the new material that they had in mind and always experimenting with them for certain gigs. This led to talks of a possible full studio album at the end of the year.

LS in 2013 supported The Distancing for their final headlining gig at the Star and Garter, were supported by politically driven rock group The Downpage Liberation, covers/originals band Fantastik 4 and Midlands folk collective Green Fortune. But in May of this year was the last of their online updates before Jordan left Burton to study at the Academy of Contemporary Music in Guildford to bring the band into hiatus. When will they return? Who knows! Still, it’s good to speculate isn’t it?

They're just preparing themselves for battle...of the bands mind!

They’re just preparing themselves for battle…of the bands mind!

But of course we look at the music at this point. I did mention at the start that they were a folk-punk collective, but honestly, their music has the tendency to cross over into even more genres!

Indie, Spanish music and straight up rock n roll are touched upon with LS’s music being led by the powerful strums and passionate vocals of Jordan who in a way, sounds like if Jamie T started covering The Pogues. I do mean that in the best possible way! The chemistry between instruments and enthusiasm from the other band members cannot be ignored either, with Hughes and Jackson being a great drum and bass backing and Evans and Scott providing an even bigger dynamic to the proceedings earlier on in their run.

One song of theirs in particular I will be looking at is one of their most popular tunes Perfection. Now some of you who regularly come here think “Wait a damn minute! I’ve been here before haven’t I? Didn’t you already look at a song called Perfection from Star From Ivy?” Calm yourselves Brewtown lovers, tis just a coincidence!

Yes it’s got the same name, is in the key of D minor and has a flamenco influence. Tis just a coincidence I say!

Of course, the same themes are touched on as the SFI song of the same name, but LS’s idea of Perfection sounds and is performed much differently than SFI. The song starts off with a calm bass drum leading into an Evans electric riff and a Jordan acoustic riff that steadily builds over the first minute until it is kicked into high gear with a “Hey!” from Jordan.

The song has a great Latin-folk energy that rarely lets up and the lyrics from Jordan are just as thought-provoking as Baldwin’s SFI:

Count your stars, see how many you own

I assure you it’s not much, but it’s less than I know…

One of the lyrics later on in the song name drops the title, but in such a good way:

Perfection is just an illusion of the mind

This phrase is so good at summarising the whole idea of what it is to be perfect and think is perfect that it’s on the band’s T-shirt for God’s sake! I own that T-shirt so I know! Even if Jordan’s vocals crack at times and aren’t perfect, of course, it could just be an illusion in my mind, so what the hell do I know? Check the song out and links to their music below.

Even if they’re not currently about as a live band, I still suggest you check Lucida Scroll out some time. Their brash, powerful folk tunes have helped them stand out in a big way in Burton and beyond and the complexities that lie in their recordings when they get the chance to experiment is something to behold. Here’s hoping they return soon! I hope you’ve enjoyed the first Throwback Thursday. May it bring you another vintage Brewtown Tune soon.

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